https://open.spotify.com/episode/5XxBVgL80rgyduXV2dKcBL?si=V5Bzb3PCSbSg6s0qybn29Q&dl_branch=1
Our love of fashion is weighing heavily on the planet. A...
What is stopping the Internet and our society from turning art, like it does most things, into a one-note, generic slush? What does hyperconnectivity mean for the artist?...
Zoe Young had a typical middle school experience. She wore braces, her parents drove her and her friends around everywhere, and she had her fair share of awkwa...
To an architect, buildings are much more than the roofs over our heads. They’re windows into the people, cultures, and societies that built them.
And lik...
Vincent Morisset doesn’t know what people do with his films. Do people watch them? Do they play them? In conversation, he alternates between calling his audience “users,” “spectators,” or “viewers.”...
We all know the story. Patient Zero appears mysteriously and the world is infected with the zombie virus, leaving few intrepid human beings behind to band t...
In February and March of 2014, a small modification to a nearly 20-year-old video game created a cultural phenomenon. An anonymous user changed the code of Pokémon Red so tens of thousands of people could input simple commands in a chat room and together direct the character. ...
A headset that picks the winning lottery number. A scuba mask for navigating a subaqueous Louisiana. A pair of biking goggles used to shame drivers of automobil...
LACMA’s Frank Gehry exhibit is a fine balance between fantasy and reality, stated nowhere but implied everywhere. In a show that had the potential to fold under its own weight given the sheer scale and scope of Gehry’s oeuvre, the gallery manages to maintain a childlike wonder about it....
