*This piece is part of our Critics In Conversation series, where two writers offer different perspectives on the same film. Read Ryan Coleman's review her...
*This piece is part of our Critics In Conversation series, where two writers offer different perspectives on the same film. Read Lucia Ruan's review here, and ...
2020 was far from a banner year for American moviegoing for a couple obvious reasons: the pandemic closed theaters and prompted studios to delay the majority o...
*This piece is part of our Critics In Conversation series, where two writers offer different perspectives on the same film. Read Lucia Ruan's review here.*
...
*This piece is part of our Critics In Conversation series, where two writers offer different perspectives on the same film. Read Ryan Coleman's review here.*
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25 years ago, Cameron Crowe’s Jerry Maguire opened in theaters nationwide. The sports-romantic-dramedy was a massive commercial and critical hit, launching its...
British filmmaker Edgar Wright has positioned himself as one of the 21st century’s foremost genre-mashers. Shaun of the Dead inserted zombies into a romantic c...
This month, Universal released Halloween Kills in theaters and on Peacock. It’s the latest entry in one of the oldest and longest American horror franchises. I...
Dear Evan Hansen is viscerally uncomfortable to witness. Some of that discomfort is by design, as the original Tony-winning stage musical is built on a narrati...
Wesley Stenzel is a film critic with a passion for the big movies that connect us. He studied political science at Westmont College before realizing that all he wants to do is write about movies.
